Jason's Pennsylvania Devils

I ran into Jason on the West 4th Street platform back in July. He was on his way to Smith Street Tattoo, to accompany a friend who was getting tattooed by Bert Krak.

I asked him if he wouldn't mind sharing some of his work, and he gladly complied.

I snapped some photos and chatted with him all the way to Brooklyn. Check them out:

Why a devil on his leg? Jason said he was considering putting something on his leg that he was afraid to place there. When he asked himself if he should really do that, he reasoned, just by asking himself that, meant he should do it. He also gave some advice that I thought was very valuable.

Jason said that when he is looking to get tattooed, and isn't sure what he wants, he'll go to an artist and ask them what they're currently drawing. Most artists in the shop, when they're not tattooing, are either drawing, sketching, painting, or creating something. Jason reasons that if you ask for what the artist is currently doing, he or she will be that much more passionate about the work.

This logic is behind several of Jason's tattoos.

The work above was created on Jason by Ryan Westvall at Old Soul Tattoo in Canonsburg, Pennsylvania.

Thanks to Jason for sharing his tattoos with us here on Tattoosday!

Max's Spin on a Traditional Gypsy Tattoo

I was passing through Penn Station late yesterday when I spotted Max, who offered up this fascinating tattoo:


At first glance it looks like the traditional gypsy piece, but if you look closely at the back of the gypsy's head, you can see Max added an element that extended the design up and around his right arm:



That is a deer skull that the gypsy woman is wearing, complete with a set of antlers.

When I asked Max about this he acknowledged that the tattoo, in concept, had started as just the old-style gypsy profile but, growing up in Maryland, he said that there were deer everywhere around his home, and that this was a nod to his former home state.

Perhaps reading too much into it, I asked him if he was taking a symbol of home and tying it to the nomadic image of the gypsy to illustrate a dichotomy between the two contrasting lifestyles. He nodded and said he hadn't thought of it in those terms before, but it seemed to make a little sense if you looked at it like that.

This is one of nine tattoos Max has. The piece in question was designed by Paul Bosch at Saved Tattoo in Brooklyn. Max came to Paul with the concept and left it to the artist to design the tattoo. Work from Saved has appeared previously on Tattoosday here.

Thanks to Max for sharing this fascinating spin on the traditional gypsy tattoo with us here on Tattoosday!

Mason's Gypsy, with a New Orleans Twist

I met Mason at the 7th Avenue Street Fair in Park Slope on Father's Day.

He has "twenty or so," tattoos, mostly accumulated from different artists from different places he has visited.

His offering for Tattoosday, however, was inked here in New York. It is a take on the traditional gypsy tattoo which I have been seeing a lot of lately:

Mason went to Kings Avenue Tattoo in Massepequa, Long Island, with a general idea for this piece, which is something he wanted to get for a while.

The artist, Grez, added a Fleur-de-Lis to the piece, per Mason's request, as a nod to the city of New Orleans where he grew up.

Thanks to Mason for sharing this fantastic tattoo with us here on Tattoosday!

Mark's Gypsy Tattoo Pays Tribute to the Female Singer-Songwriter

I have mentioned before that I tend to shy away from approaching subway commuters about their tattoos.

However, like most of my self-imposed guidelines, I always make exceptions for work that is transcendent. That is, if the tattoos are supremely blogworthy, I will solicit, for the sake of the reader, people on the subway. One such case presented itself last week on the Brooklyn-bound N train.

I approached Mark Turrigiano as the N emerged from the subterranean underworld and climbed the Manhattan Bridge. He has phenomenal sleeves, intricate work that wraps and surrounds the limbs.

His right arm, with an Asian-inspired theme, is mostly attributed to Elio Espana at Fly Rite Tattoo Studio (whose work has been seen previously here). His left arm hosts an incredibly huge and colorful octopus, which was inked by Lou at Third Eye Tattoo (whose work has appeared on Tattoosday here).

Because of the scale of those sleeves, we opted to go with one of his newer pieces, a gypsy on the back of his left calf:


This piece, designed and inked by Craig Rodriguez at Hand of Glory Tattoo Studio in Brooklyn, is seen by Mark as "a good way to commemorate [his] work with female singer-songwriters".

I like this piece a lot because it contains a lot of traditional gypsy elements, but is atypical in its presentation. It seems much larger with greater detail than the traditional gypsy profile tattoos that are much more common. The vividness of the colors also helps the tattoo pop, and you can almost feel the texture of her scarf.

Mark says the piece was completed in about four hours over two sessions. He estimates that his body is about 30% covered in ink.

Feel free to check out Mark's website here.

Thanks to Mark for sharing this great gypsy tattoo with us here on Tattoosday!

A German Gypsy in New York City

I met Dominic a couple of weeks ago out in front of Madison Square Garden in Penn Plaza.

He was visiting from Cologne, Germany, and was displaying an arm with tattoos:



Dominic has seven tattoos, most of which are based on traditional flash art.

We looked specifically at his gypsy tattoo, which Dominic says is especially poignant:



Why is this piece so meaningful? Dominic says his family once was very well-off ("blue-blooded"), but they lost their fortune. As a result, he feels a certain kinship to the tattoo.

The tattoo was created by Carlos at Fine Line Tattooing in Düsseldorf, Germany.

Thanks to Dominic for sharing his gypsy with us here on Tattoosday!